In 1964, old directing hand Antonín Kachlík created a relationship drama about a woman who looks back on her life after reaching the “Jesus year” (Jesus is said to have been crucified at the age of 33). The narrative is based on a novel by Jan Trefulka, while the film’s protagonist, Jana Hanáková, is played by Alena Vránová. At 33, she is married and has two children, but family life does not satisfy her. Her alienation is not compensated either by her lover Karel or her relationships with colleagues at work. All around her, Jarka sees only shallowness and deceit. Trefulka and Kachlík, who collaborated on the screenplay, do not try to find a way out for the unhappy Jana. They construct the plot as a statement on a desolate condition which the young woman is herself partly responsible for. The critical approach of Třiatřicet stříbrných křepelek (Thirty-three Silver Quails) meant it came to be regarded as a motion picture heralding even more successful and forthright films of 1960s Czechoslovak cinematography.
Jarka Hanáková is a married woman and mother of two little children. Today is the day of her thirty-third birthday and this fact makes her contemplate her life. In the morning, her husband tells her indifferently that he has to go for a business trip. It is obvious that all love between them has faded away. Jarka takes the children to the kindergarten. On the way, she stops by the printing plant where her lover Karel works, to excuse herself from the set afternoon date. Her colleagues from the House of Culture, where she is employed, congratulate her, but the short birthday celebration results in a ridiculous quarrel of the co-workers. Jarka goes for a business visit to a nearby village. Her meeting at the Municipal National Committee is unpleasant and the inspection does not satisfy Jarka - many things are formally returned on paper, but, in fact, nothing happens. On her return to the town, Jarka spots her husband at the railway station in an intimate discussion with a young woman. As an associate judge, Jarka takes part at the session of the labour relations' court. She can plainly see that the judged man is just a scapegoat paying dearly for the disorders of his enterprise. Neither the evening visit to a wine cellar nor the intimate date with Karel fulfil her expectations. Jarka returns home to her children and her husband. Due to the moodiness of the two adults, a quarrel breaks out between them. Jarka locks herself in the bathroom and bursts into tears.
Jarka Hanáková, pracovnice Domu osvěty
sazeč Karel Raška, Jarčin milenec
Hanák, Jarčin manžel
soudce
výtvarník Jirka
tajemník MNV Mikšíček
ředitel Domu osvěty
Hanákova milenka
Eva, dcera Hanákových
Petr, syn Hanákových
obžalovaný Císař
Císařova žena
pracovník Jihomoravských tiskáren
starý zahradník
Arnošt, Jarčin kolega
Jarčin kolega
přísedící u soudu
sousedka
milenec
vrátný v tiskárně
Machová, Jarčina kolegyně
brýlatá Jarčina kolegyně
žena v obchodě
řidič
prokurátor
kněz
hráč šachů
mladík u hracího automatu
zpěvačka
orchestr
zpěvák a dirigent
muž s hadicí
brýlatý muž v hospodě
solidní otec
kamarádka Hanákovy milenky
opilec
opilec
žena v restauraci
zapisovatelka u soudu
brýlatá dívka
hlas hádajícího se manžela
Jan Trefulka (Třiatřicet stříbrných křepelek – novela)
Jiří Drégr, Josef Dvořák, Oldřich Halaza, Vojtěch Palek
Ladislav Hausdorf, Bohumír Brunclík (zvukové efekty)
Vladislav Špidra, Jiří Zika
pplk. František Hrabovský , JUDr. Jaroslav Blažek
Věra Houšková (klapka), Vladimír Souček (fotograf)
Georges Bizet (Carmen /árie Toreadore smělý/ – opera)
FISYO (Music Conducted by František Belfín), Orchestr Gustava Broma (Music Conducted by Gustav Brom)
Třiatřicet stříbrných křepelek
Třiatřicet stříbrných křepelek
Thirty-three Silver Quails
Jak odcházejí / Odcházejí
film
featuretheatrical distribution
psychological
Czechoslovakia
1964
1964
literary Screenplay approved 10 January 1964
technical Screenplay approved 19 March 1964
start of filming 6 July 1964
end of filming 6 November 1964
projection approval 22 June 1965
withdrawal from distribution 31 December 1973
premiere 10 September 1965 /unsuitable for youths/ (celostátní)
premiere 1 October 1965 /unsuitable for youths/ (kino Světozor /2 týdny/, Praha)
Tvůrčí skupina Šmída – Fikar, Ladislav Fikar (vedoucí dramaturg tvůrčí skupiny), Bohumil Šmída (vedoucí výroby tvůrčí skupiny)
feature film
84 min
2 406 meters
16mm, 35mm
1:1,66, 1:2,35
black & white
sound
mono
Czech
Czech
without subtitles
Czech