After seeing his dramatised parable Ezop (Aesop, 1969) barred from cinemas, Rangel Valčanov went on to create two feature films during the early years of Czechoslovakia’s era of “normalisation”: Tvář pod maskou (The Masked Face, 1970) and Šance (Chance, 1971). In making Tvář pod maskou, the experienced Bulgarian director devised his own subject matter and screenplay, and turned to a cast of Czech actors. Josef Somr plays photographer Pepek, who, with the help of his wife Sima (Luba Skořepová), earns his living by casting death masks. Friend Lojza agrees to have his mask cast while still living. Doctor Morávek, an acquaintance of both Pepek and Lojza, has advised that one needs such a mask to be able to examine one’s self during life. The time-consuming making of the mask evokes memories – not only those of Pepek and Sima, but most of all the recollections of Lojza. Long ago, he committed a murder for money. Ladislav Mrkvička stars in Valčanov’s motion picture about a man who in the end is destroyed by his hidden past.
Pepek and his wife Sima make their living by casting posthumous masks. One day, Pepek decides to make a mask of his friend Lojza alive. His idea was inspired by Doctor Morávek and his opinion that a live person, too, needs a mask so as be able to have a look at oneself. Lojza cannot even move during the casting to make the plaster harden properly. As they wait, Pepek's memories begin to pop up to his mind - how he met Sima, a circus-rider, who broke her leg and lost her work in the circus, and how they then began to live together. In addition, Sima returns to the past, her memories revolving around her childhood girlfriends and boyfriends. The next memory belongs to Lojza. He returns to the evening when Pepek invited Lojza and his Marie for dinner. While Sima was preparing fish they had caught together in a drowned quarry, the two men left to buy drinks. On the way, Lojza spotted a woman publican counting the sales. He made an excuse to Pepek he would pop back home for cognac, but instead returned to the publican, killed her and stole the money from her. Finally, Pepek removes the mask from Lojza's face. Lojza wants to reveal his crime to him, but Pepek cuts him short, saying it is already too late. Lojza cannot sleep and chats with Sima on the terrace. When the woman leaves, he leaps off the balcony and onto the street. Somebody puts a sheet of paper on his dead body with the sign "Mortal Danger".
Pepek
Sima, Pepkova žena
elektrikář Lojza Suchý
Marie Dvořáková, Lojzova přítelkyně
cirkusák
hostinská Šulcová
MUDr. Morávek, ušní lékař
rybář nespokojený s počasím
Honza, Lojzův kolega
rybář
rybář
rybář
rybář
vedoucí orchestru
hudebník
hudebník
hudebník
hudebník
hudebník
romantik
dívka
starý pán
diplomat
diplomatova dívka
muž v černém
muž v černém
muž v černém
muž v černém
muž v černém
muž v černém
zdravotní sestra
lékař
usmívající se muž
umělec
tanečník
drezér
Pavel Dosoudil
Jaroslav Česal, Karel Kočí, Bohuslav Varhaník
František Šindelář, Bohumír Brunclík (zvukové efekty)
Ingeborg Ullrichová
Ivana Nováková (klapka), Josef Vítek (fotograf)
Wolfgang Amadeus Mozart (Malá noční hudba), Johann Sebastian Bach (Suita pro orchestr č. 3 D dur /Air/)
FISYO (Music Conducted by František Belfín)
Singer dětský sbor
Tvář pod maskou
Tvář pod maskou
The Masked Face
Cvoci
film
featuretheatrical distribution
drama
Czechoslovakia
1970
1969—1970
literary Screenplay approved 17 July 1969
technical Screenplay approved 25 September 1969
start of filming 30 October 1969
end of filming 12 June 1970
the first film copy approved 18 September 1970
projection approval 1 December 1970
withdrawal from distribution 1 September 1974
premiere 8 January 1971 /unsuitable for youths/ (celostátní)
premiere 21 January 1971 /unsuitable for youths/ (kino Paříž, Praha)
Tvůrčí skupina Šmída – Kunc, František Břetislav Kunc (vedoucí dramaturg tvůrčí skupiny), Bohumil Šmída (vedoucí výroby tvůrčí skupiny a vedoucí výrobní skupiny), Dramaturgická skupina Karla Copa (dokončení), Karel Cop (vedoucí dramaturgické skupiny), Výrobní skupina Bohumila Šmídy (dokončení)
feature film
79 min
2 236 meters
16mm, 35mm
1:1,66
black & white
sound
mono
Czech
Czech
without subtitles
Czech