Czech screenwriter and film director Ivan Renč (born in 1937), father of film director Filip Renč, has been largely relegated to oblivion. His only full-length picture is this 1970 psychological drama in which Jiří Hrzán played a very uncharacteristic principal part. In the story – deliberately set in an indeterminate space-time continuum – the popular comic actor portrays Josef Vildomec, an exemplary prison warder who behaves decently towards the prisoners but vents his piled-up anger, brutally tormenting his dog. Gradually, however, the surrounding reality gets the better of him – eventually the same cruelty and callousness besetting those around him take over in his behaviour towards the convicts. The film, a dark depiction of the destruction of human normality that occurs during abnormal times, can be considered one of the final echoes of the free era of the 1960s.
A young prison guard, Josef Vildomec, returns home from the night shift to his widowed mother, who is very proud of him. Her deceased husband was a gendarme and the son recently found a similar job. Every night before bedtime, Josef walks with his dog to an abandoned place and there severely beats the animal. To the prisoners, however, he behaves kindly and even gives some cigarettes to prisoner Červinka, who is in close confinement without food. The old thief and recidivist makes the naive Vildomec believe in his innocence and Vildomec begins to advocate him to his own cost. The young man indulges in day-dreaming during the long shifts and, over a picture of a lighthouse, imagines himself as its courageous and devoted watchman. Then he begins to court the foster daughter of the sexton of the local small church, mulatto Marie, and marries her. The mother is jealous of her daughter-in-law. Červinka rises to the occasion and escapes during Vildomec's shift. And not only that. He hides close to his house and seduces his Marie. He tells her that Josef is a brute and tortures the prisoners. He easily manages to convince her when he shows her from his shelter how Vildomec beats the dog. Marie flees with the criminal who, before their escape, destroys the house facilities. Josef Vildomec then instantly changes. He tears off the picture of the lighthouse and begins to torture the prisoners after the example of his colleagues. He, however, stops torturing his dog and, on the contrary, begins to pamper him.
vězeňský dozorce Josef Vildomec
Josefova matka
vězeň Alois Červinka
Voice by Jana Šulcová
mulatka Marie, Josefova žena
dozorce Pěnkava
Voice by Jiří Pleskot
kostelník a švec Šalama, Mariin pěstoun
ředitel věznice
cukrářka Mašková
policista
policista
vězeň Zach
dozorce
vězeň Mezuna
elegán
švihák
dámička
dámička
Josef jako dítě na fotografii
Viola, Josefova sestra, na fotografii
muž v buřince
hudebník
hudebník
hudebnice
Žofie Futerová
I. Houser, Zdeněk Jeřábek, Milan Nejedlý, Miloš Sršeň
Jitka Faktorová (klapka), Miloslav Mirvald (fotograf)
FISYO (Music Conducted by František Belfín)
Song Composer lidová píseň
Writer of Lyrics lidová píseň
Singer Jiří Hrzán
Hlídač
Hlídač
The Guard
film
featuretheatrical distribution
psychological
Czechoslovakia
1970
1969—1970
literary Screenplay approved 27 May 1969
technical Screenplay approved 15 August 1969
start of filming 15 September 1969
end of filming 22 January 1970
the first film copy approved 19 March 1970
projection approval 2 April 1970
withdrawal from distribution 1 October 1971
premiere 14 August 1970 /unsuitable for youths/ (kino Klub /½ týdne/, Praha /omezená distribuce/)
premiere 14 August 1970 /unsuitable for youths/ (celostátní)
Tvůrčí skupina Novotný – Kubala, Bedřich Kubala (vedoucí dramaturg tvůrčí skupiny), Ladislav Novotný (vedoucí výroby tvůrčí skupiny a vedoucí výrobní skupiny), Výrobní skupina Ladislava Novotného (dokončení)
feature film
90 min
2 555 meters
16mm, 35mm
1:1,37
black & white
sound
mono
Czech
Czech
without subtitles
Czech