Iva Janžurová has confirmed her acting mastery on the big screen numerous times. One of the seasoned actress’s most unforgettable characters remains her double-role in Juraj Herz’s costume psychological horror Morgiana. The director had given Janžurová a small part in his drama Znamení Raka (Sign of Cancer) (1967). The female lead in Petrolejové lampy (Oil Lamps) (1971) – the luckless Štěpa – foreshadowed further collaboration on Morgiana. Due to the advent of normalisation the loose adaption of Alexander Grin’s romantic novel Jessie and Morgiana was the picture that brought to an end Herz’s “stylised” period, the culmination of which remains Spalovač mrtvol (The Cremator) (1968). Janžurová, meanwhile, was forced to abandon the expressive shades of her acting register that she had been able to give free reign to in Morgiana (though the distinctive, Art Nouveau costumes and make-up did restrict the actress’s register). In the role of two sisters different in age, appearance and character – the younger, kind beauty Klára and the older, ugly and spiteful Viktorie – Janžurová created two utterly antithetical portraits. By contrast with the original book and genre convention, the viewer gradually begins to sympathise with the demonic titular character – in part because within Herz’s chillingly sarcastic, ambiguous conception the naive and good-natured Klára comes across as irritating and fake. The scheming Viktoria, jealous of her sister’s undeserved happiness safeguarded by the love of a handsome lieutenant (Josef Abrhám), is by contrast a vibrant and fascinating character and the audience will her on as she plans to kill Klára discreetly. Herz and screenwriter Vladimír Bor did not pursue the logic of the fact the story concerns one woman afflicted by a split personality; rather a “different” view of the narrative is provided by the eponymous hero – the black cat Morgiana. The camera work of the accomplished Jaroslav Kučera made a marked contribution to the visual appeal and artistic coherence of Herz’s noteworthy picture.
After the death of the wealthy Trangan, his wealth is divided between his two daughters – the older Viktoria and the younger Klára. The gloomy brunette Viktoria (known as Viki) has inherited an allowance, jewellery, estate and Green Flute Chateau, and Klára has been made heir to all the rest. As a result, Viki is jealous of her younger sister and can hardly conceal her hatred. The attractive blond Klára is the darling of society and many men are competing for her favours. Klára tries to persuade the notary Glenar, who has professed his love for her, to turn his affection to Viki. The man refuses and Viki, who is secretly listening to their conversation, comes to a final decision. She puts a slow-acting poison in her sister's drink. Klára, who has just fallen in love with the lieutenant Marek, is struck by a mysterious illness. She is permanently thirsty and bright colours pain her eyes. Viki moves to the Green Flute together with her favourite cat Morgiana. Hidden in the woods, she throws a stone at a group of maids who are bathing. One of the girls is hurt so badly that her neck will remain paralysed for the rest of her life. Viki throws the woman who sold her the poison and is now blackmailing her for half a million off a rock. An anonymous letter confirms the suspicion of the now already delirious Klára that she is being poisoned by her sister. The ill girl sets off for the Green Flute in the middle of night. Viki rejects her accusations and Klára escapes. A lecherous drunken tramp pours alcohol into Klára's mouth and the girl loses consciousness. Her loving suitor Marek discovers her in the forest. The now exposed Viki tries to stage a suicide attempt, but a draught causes her to really hang herself. Klára is saved by the alcohol, which has acted as an antidote, and recovers in Marek's arms.
Actress Eva Blažková (1938–1971) died while filming in Bulgaria. Her colleague Drahomíra Fialková replaced her in the character of Nela.
statkářka Viktorie Tranganová zvaná Viki/Klára Tranganová, Viktoriina mladší sestra/Klářina červená představa
poručík Marek
vyděračka Otýlie
notář Glenar
opilec-vandrák
důstojník Bessant
důstojník s monoklem
Voice by Oldřich Vlach
důstojník Karel
Alžběta, Viktoriina a Klářina přítelkyně
Voice by Karolina Slunéčková
lehká holka a kartářka Mercedes
tanečnice Rosita
Voice by Jana Preissová
Eva Hornová, Markova vzdálená sestřenice
rodinný lékař MUDr. Mayer
Nela, služebná na Zelené flétně
ošetřovatelka
mladá služka
správce na Zelené flétně
Rosa/lehká holka
Antonie/Justýna/lehká holka
Isabela/Adelina/lehká holka
Ernestýna/Sofia/lehká holka
Markéta/Flóra/lehká holka
Eleonora/Pavlína/lehká holka
Josefína/Alfonsina/lehká holka
Nelin synek
Gerda, služebná u Kláry
služka na slavnosti u Evy
výčepní
posluhovačka
důstojník
důstojník
důstojník
důstojník
důstojník
důstojník
důstojník
důstojník
důstojník
dubl za Ivu Janžurovou
dubl za Ivu Janžurovou
dubl za Ivu Janžurovou/balet
Alexandr Grin (Jessie a Morgiana – novela)
Jiří Rulík (vedoucí výpravy), Rudolf Herz, Miloš Osvald
Miloslava Šmídová (vedoucí kostymérka), M. Koubská
František Černý, Ivo Špalj (mix zvuku)
Corina Schlesingerová (klapka), Karel Ješátko (fotograf)
FISYO (Music Conducted by František Belfín)
Morgiana
Morgiana
Morgiana
Černá kočka
film
featuretheatrical distribution
drama, psychological
Czechoslovakia
1972
1972
projection approval 28 April 1972
withdrawal from distribution 31 August 1993
premiere 15 September 1972 /unsuitable for youths/ (celostátní)
premiere 5 October 1972 /unsuitable for youths/ (kina Sevastopol a Morava, Praha)
renewed premiere 19 September 2024 /suitable for all ages without limit/
Ústřední půjčovna filmů (původní 1972), Národní filmový archiv (obnovená 2024)
Dramaturgická skupina Miloše Brože, Miloš Brož (vedoucí dramaturgické skupiny), Výrobní skupina Jiřího Šebora, Jiří Šebor (vedoucí výrobní skupiny)
feature film
102 min
2 785 meters
16mm, 35mm, DCP 2-D, MP4, BRD
1:1,66
colour
sound
mono
Czech
Czech
without subtitles
Czech
Festival: 9. mezinárodní filmový festival Chicago
1973
Chicago / United States of America