One of actor Vladimír Šmeral’s final major roles came in this satirical comedy written and directed in 1977 by long-serving filmmaker Karel Steklý. The protagonist of this tragicomedy is old art restorer Prusík, who has collected paintings throughout his life. When Prusík finds himself in hospital following a heart attack, his greedy family tries to persuade him to sign over his potential fortune. Prusík’s friend, Father Ostatek, devises a scheme to teach the scheming relatives a lesson – but it does little to improve the old man’s relationships with family members... Jiřina Bohdalová and Stanislava Bartošová play the two greedy and grasping daughters, for whom their father merely serves as an instrument of profit. Actor Vladimír Ráž takes on a rare villainous role as a roguish lawyer.
An old restorer Prusík has been buying fine art works for a part of his earnings without his family knowing about it. He rents an apartment to place the paintings away from home. Once he finds out that the landlady offered the apartment to another tenant. He becomes angry and gets a heart attack. When staying in the hospital, his greedy daughters and sons-in-law gather around him, trying to make him sign the last will. Prusík refuses, leaving the keys to the apartment with the paintings his granddaughter Zuzana. However, Prusík's daughters find out the paintings, seizing them all. When the old man comes back from the hospital, he has nowhere to stay. It is only his old friend Father Ostatek who helps him to find an asylum in a home for nuns. He makes plans to punish the mean Prusík's relatives. Father Ostatek informs them that the millions worth paintings are actually the property of the state and Prusík has been just taking care of them. The relatives are furious, but don't dare sell any of them. Prusík likes living at Ostatek's, he restores old paintings in the chapel. He decides to sell his collection to the National Gallery, enjoying the money. On one day, when putting a restored painting on the wall, he falls off a ladder and gets killed. Even at such a tragic moment his relatives do not take care of him - they rush to their father's room to look for the paintings, but there is nothing left from them.
kunsthistorik a restaurátor Prusík
páter F. X. Ostatek
Hermína, Prusíkova dcera
JUDr. Jindřich Metelka, Hermínin manžel
Olga, Prusíkova dcera
fotograf Fredy Dedera, Olžin manžel
Zuzana, dcera Metelkových
taxikář Michal
abatyše máter Cherubína
jeptiška sestra Agáta
Komrs
Rakovcová
řidič Pěkný
Ing. Stocký, podnájemník Rakovcové
profesor Hlavica
pracovník galerie Podešva
advokát Stolař, Metelkův kolega
příslušník VB
Čiháková
jeptiška sestra Beata
jeptiška sestra Beatrice
jeptiška sestra Kalista
jeptiška sestra Crescencie
jeptiška sestra Gabriela
jeptiška sestra Elekta
jeptiška sestra Anunciata
jeptiška sestra Florentina
jeptiška sestra Honorata
jeptiška sestra Patricie
ředitel Plavý
Kopečková, Dederova sestra
Hansi z Vídně, hluchý muž
zdravotní sestra
balonista
balonista
balonista
prodavačka
Horák
Horáková
zákaznice
lékař
mistrová švadlen Holečková
sklenář
dubl za Vladimíra Šmerala
dubl za Vladimíra Šmerala – jízda autem
Jiří Matějka, Marcel Kříž, Eva Slívová
Jaroslav Bouček, Karel Prchal
Václav Veruněk
Kateřina Koňasová (klapka), Dagmar Pitráková (klapka), Vladimír Souček (fotograf)
Charles Gounod (Ave Maria), Johann Sebastian Bach (Ave Maria), Oskar Nedbal (Polská krev /sbor Jednadvacet/)
FISYO (Music Conducted by František Belfín)
Všichni proti všem
Všichni proti všem
Everybody against Everybody
film
featuretheatrical distribution
comedy
Czechoslovakia
1977
1976—1977
literary Screenplay approved 27 April 1976
start of filming 1 June 1976
technical Screenplay approved 1 July 1976
end of filming 10 January 1977
projection approval 2 February 1977
withdrawal from distribution 31 December 1986
premiere 11 November 1977 /suitable for youths/
Dramaturgická skupina Karla Copa, Karel Cop (vedoucí dramaturgické skupiny)
feature film
87 min
2 508 meters
16mm, 35mm
1:1,66, 1:2,35
colour
sound
mono
Czech
Czech
without subtitles
Czech