In 1978, director Václav Matějka filmed this adaptation of the novel Rychlík z Normiberka (Nuremberg Express) by author Valja Stýblová. This psychological drama served as actress Jiřina Šejbalová’s last on-screen appearance. The 73-year-old plays a Czech women, who married a German man shortly before the start of World War II. After three decades abroad, the ageing Marie Hahnová returns home, but does not find the serenity she had been seeking. Former neighbours and distant relatives have not forgotten that her husband hated the Czechs – and moreover, accuse her family of being Gestapo informers. For Marie, unaware of anything of the kind, such accusations represent a huge shock… Director Matějka emphasises the shallower, and more ideologically acceptable aspects of the story, making his feature an excellent example of hardcore “normalization” era propaganda. The fact that he was provided with expensive, widescreen colour film stock, shows that those in charge at Barrandov film studios in Prague during these times very much rewarded directors willing to tow the party line.
Marie Hahnová, a Czech woman who married a German shortly before World War II, comes to visit Czechoslovakia after thirty years. Her daughter Margit has made an arrangement with an old friend of her mother's, Irena and with the family of Věra Pechlátová's daughter, that Marie will stay with her in Prague. Marie is spellbound by the city; she visits well-known places, even a lively music hall. The Pechláts do their best to make Marie's stay enjoyable. Only Zdena Lhotáková, Marie's niece, does not rush to greet her aunt. She has a good reason for it: her brother Jiří was shot dead by the Germans during the war and Zdena is convinced that it was Margit who turned him in. Marie knows nothing of the incident. The Pechláts take her for a trip to the region where she was born. Marie is excited at the prospect of meeting her countrymen, but she finds that she is not welcome. People cannot forget that Hahn, her husband, hated Czechs. When visiting the Lhotáks, they start talking about what happened during the occupation. Marie insists that she did not know about anything bad going on. Finally, though, the former handmaid Běta tells her that Margit turned in their neighbour Franěk to the Gestapo. Hearing this news, Marie collapses with a heart attack. Doctors recommend that she return home. Margit, however, does not want her back. She and her husband are leaving for Brazil and her mother would be in their way. Marie eventually returns, but only to find the villa completely empty. She learns about the reality of the situation from the driver of the laundry van.
Marie Hahnová
Margit, Mariina dcera
Irena, Mariina přítelkyně
úřednice Věra Pechlátová, Irenina dcera
instalatér František, Věřin manžel
taxikář Makovský
Rožánek
Anča, Rožánkova žena
Zdena Lhotáková, Mariina neteř
inženýr Lhoták, Zdenin muž
Vojta Šindelář
Karl Schwanzer, Mariin zeť
Pavel, syn Pechlátových
Pralinka, dcera Rožánkových, Pavlova žena
Běta Koulová, bývalá služebná
Holíková
zpěvák
zpěvačka
Coufal
Coufalová
lékař
Lída, dcera Lhotákových
dcera Coufalových
dcera Coufalových
syn Coufalových
správcová
učitel
mladý inženýr
řidič dodávky s prádlem
německý celník
Šulová
Sláma
mistr na stavbě
Malík
žena v šátku
vyvolávač na pouti
příbuzná
příbuzná
příbuzná
příbuzný
příbuzný
baletka
baletka
baletka
baletka
dirigent
tanečník
kapelník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
houslista
harmonikář
Jitka Hoferková
Valja Stýblová (Rychlík do Norimberka – novela)
Milan Štěch, Ladislav Beneš
Irena Sedláčková (klapka), Zdeněk Dukát (fotograf)
Song Composer Petr Hapka
Writer of Lyrics Zdeněk Rytíř
Singer Hana BuštíkováJiří Korn
Song Composer Josef Stelibský
Writer of Lyrics Karel MelíškJaroslav Mottl
Singer Dana MedřickáJosef VětrovecMarie RosůlkováJiřina Šejbalová
Singer sbor
Song Composer Karel Hašler
Writer of Lyrics Karel Hašler
Singer sbor
Singer sbor
Singer sbor
Sólo pro starou dámu
Sólo pro starou dámu
A Solo for an Old Lady
Polka na rozloučenou
film
featuretheatrical distribution
drama, psychological
Czechoslovakia
1978
1978
literary Screenplay approved 2 January 1978
start of filming 6 May 1978
technical Screenplay approved 19 June 1978
end of filming 13 December 1978
projection approval 18 December 1978
withdrawal from distribution 31 December 1986
premiere 21 September 1979 /unsuitable for youths/
Dramaturgická skupina Drahoslava Makovičky, Drahoslav Makovička (vedoucí dramaturgické skupiny)
feature film
87 min
2 482 meters
35mm
1:1,66, 1:2,35
colour
sound
mono
Czech
Czech
without subtitles
Czech
Festival: 17. festival českých a slovenských filmů Hradec Králové
1979
Hradec Králové / Czechoslovakia
František Uldrich
Festival: 24. mezinárodní filmový festival Valladolid
1979
Valladolid / Spain
Jiřina Šejbalová
Festival: 30. filmový festival pracujících – léto ´79
1979
62 měst / Czechoslovakia
Jiřina Šejbalová
Festival: 17. festival českých a slovenských filmů Hradec Králové
1979
Hradec Králové / Czechoslovakia
Jiřina Šejbalová