In 1977, director Václav Matějka created a contemporary psychological drama Hodina pravdy (The Hour of Truth). The earlier film is in no way related to a similarly titled motion picture he made in 1981. Hodina života (The Hour of Life) is a politicised historical drama inspired by the real-life events of a textile workers’ strike organised in the eastern Bohemian town of Týnec, as seen through the eyes of the noted journalist and critic of the Austro-Hungarian Empire, Czech social democrat Josef Hybeš. The film depicts the dramatic events preceding Hybeš’s arrest in 1883 and the subsequent introduction of the demanded 11-hour work shift. The film, made according to the then ideological directives of the Barrandov Film Studios dramaturgy department, is credited for its descriptive representation of historical events and for the emotionally charged performance of Petr Štěpánek in the lead role.
In the end of 1883 in an east-bohemian village, Týnec, anarchists unsuccessfully attempted to shoot a local factory owner. The police used this occasion and arrested workers, mainly activists of the social democratic party. The old factory owner, paralysed by shock, leaves the city and the textile factory is taken over by a young and indebted entrepreneur, Ulrich. Hybeš, the editor of Vienna's Workers Gazette arrives in Týnec, allegedly to pick up revenues from the bookshop owner for workers calendars. In reality, he has to help reorganize the local weakened organization, which prepared a strike to shorten working hours to eleven hours per day. Shortly after his arrival, he meets Ulrich, his friend from early youth, but the flair for friendship is soon gone. Ulrich needs to quickly pay off his debts and forces his employees into slavish work. He sets the police against Hybeš, who have been following him anyway. Hybeš is in hiding and gets help from a worker girl, Andula, who is platonically in love with him. Ulrich ruthlessly gets rid of his employees – those who are ill, old, and also those who want to be organised. He plans to also introduce Sunday shifts. Hybeš skillfully escapes arrest, although a police superintendant Zellner, from Vienna, must be called because of him. Zellner intends to get him before the judge at any price. Workers go on strike, but the factory owner sacks them all and begins recruiting new weavers from the surroundings of the city. But they don't know how to cope with the machines. Money for the support of the strikers is confiscated by the police. Starving workers want to go back to work, but Hybeš knows that Ulrich is under pressure, as he can no longer get money from his creditors. In the end, Hybeš successfully negotiates on behalf of the workers with Ulrich, although he knows he will be arrested. Hybeš is escorted from Týnec to Prague, where he is sentenced according to the notorious Section 255, for secret conniving, to six months imprisonment. The wave of strikes across the entire monarchy forces the monarchy council to enact eleven hour working days in 1884.
The film was made to celebrate the 60th anniversary of the Czechoslovak Communist Party.
redaktor Dělnických listů Josef Hybeš
dělník Benda
Bendova žena
Andula, dcera Bendových
továrník Rudolf Ulrich
dělník Jan Pácalt
Kateřina, Pácaltova žena
dělník Eman Rozhoň
velitel četníků Jellinek
továrník Weinlich
bankéř Gottschalk
anarchista Dražan
prokurista Kolda
dělník Jindřich Charvát
vrchní policejní inspektor Zellner
pokladní Suchý
prostitutka Běta
účetní Just
Žofie, Ulrichova milenka
mistr Kadlečák
dělnice Milada, Rozhoňova milá
tajný policista Lukáš
železničář Sedlecký
mistr Šticha
tajný policista Rechcígl
redaktor Dělnických listů Pecka
tkadlena Kudrnová
dělník Kudrna
žena u brány
dělník Jaroslav Zajíček
mistr Tunkl
dělnice Hanousková
mistr Cvikl
zastavárník Tlamicha
anarchista Vondra
anarchista Bednář
komorník
hostinský Kubeček
strážmistr Jambor
Rudolfek
dělnice Zajíčková
notář
četník Konopáč
dělník Vondra
Rousek
knihkupec Rejl
Jirka
zpěvačka
zpěvačka
stávkokaz
stávkokaz
průvodčí
bardáma
Honzík, Pácaltův syn
dělník Karel Beran
Richter
Žídek
trhovec
Zumr
barman Werner
bardáma
bardáma
sluha
sluha
četník
tkadlena
tkadlec
tkadlec
tkadlec
tkadlec
tkadlena
tkadlena
tkadlec
harmonikář
tanečnice
tanečnice
tanečnice
tanečnice
tanečnice
tanečnice
tanečník
tanečník
tanečnice
tanečnice
tanečnice
tanečník
tanečnice
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
hudebník
host ve vinárně
stará žena na dvoře
dívka v kupé
Luděk Svoboda, Jan Dolejš
Milan Bábik, Jiří Matějka, Eva Slívová, Karel Vaňásek
Vladimír Petřina, Jiří Farkaš, Iva Hanková, Jiřina Pahlerová
Jiří Holeček, Juraj Zach
prof. PhDr. Ivan Krempa, DrSc., Bořivoj Indra
Lenka Rambousková (klapka), Jaromír Komárek (fotograf), Jiří Kučera (fotograf)
Song Composer Jiří Šust
Writer of Lyrics Zdeněk Rytíř
Singer Hana Buštíková
Singer Miriam Hrušková
Singer sbor
Hodina života
Hodina života
The Hour of Life
film
featuretheatrical distribution
historical
Czechoslovakia
1981
1980—1981
literary Screenplay approved 1 October 1980
start of filming 9 October 1980
technical Screenplay approved 10 November 1980
end of filming 8 May 1981
projection approval 11 May 1981
withdrawal from distribution 30 June 1990
premiere 5 June 1981 /suitable for youths/
Dramaturgická skupina Miloše Brože, Miloš Brož (vedoucí dramaturgické skupiny)
feature film
103 min
2 795 meters
16mm, 35mm
1:1,37
colour
sound
mono
Czech
Czech
without subtitles
Czech
Festival: 20. festival českých a slovenských filmů Ústí nad Labem
1982
Ústí nad Labem / Czechoslovakia
Jiří S. Kupka
Festival: 20. festival českých a slovenských filmů Ústí nad Labem
1982
Ústí nad Labem / Czechoslovakia
Václav Matějka
Festival: 22. mezinárodní festival neorealistických filmů Avellino
1982
Avellino / Italy
Václav Matějka