The Nurses

Summary

During the 1980s, noted director Karel Kachyňa made two hospital-themed films based on the novel Vizita (Visitation, 1967) by author Adolf Branald: tragicomedy Pozor, vizita! (Watch Out, the Doctor Is on His Round!, 1981) and Sestřičky (The Nurses, 1983). The first film, set in the early 1960s, tells the story of a wandering bachelor, unable to withstand being in mandatory hospital isolation. This second film is set during the 1950s, with a young nurse serving as the lead character. Marie Sahulová is punished for an ethical failing – seeking a relationship with hospital patient Petr – and ends up being sent to a rural health centre. An older colleague, nicknamed “Babi”, ends up providing some much-needed support. While nurse Marie has a hard time adjusting to her new surroundings, she proves adept at managing the heavy workload, and begins to be viewed as indispensable by her colleagues. These include the tough, but understanding Babi, ambulance driver Arnošt, and an older doctor GP, with whom the nurse does the rounds of nearby villages and isolated residences. Marie finds maturity and internal stability via a relationship with Petr, a wannabe singer… Director Karel Kachyňa focuses on the difficult lives of 1950s women, as related in Branald’s literary work, in which attempts at emancipation in both the personal and private spheres often meet a hostile reception. But the determined Marie is provided with an opportunity out in the countryside to build her own life anew, interacting with various life “cases” on the way. Seventeen-year-old non-actress Alena Mihulová plays the protagonist. Mihulová went on to become a life partner to director Kachyňa, eleven years her senior, and would appear in four more of his films: Dobré světlo (A Good Light, 1984); Smrt krásných srnců (Death of the Beautiful Deer, 1986); Městem chodí Mikuláš (St. Nicholas Is in Town, 1992); and Kráva (The Cow, 1992). The talented first-time actress benefits from being able to play off Jiřina Jirásková, cast as the wise and distinctive Babi.

Synopsis

Note

The opening title reads that the story takes place during the 1950s but the film includes anachronisms from this point: the local cinema display window announces the screening of a 1962 Polish movie, the song I´ve Met a Deer is from the much later theatre Semafor etc.