The young painter Nikolai Petrovich Ryumin brings a man to his poor flat. He has just saved the intended suicide from drowning. He gives him his only Sunday clothes and lets him sleep over. The suicide is a writer by the name of Pampin, and was reportedly driven to the suicide attempt by his empty stomach. The painter then feeds Pampin for many days, brings him alcohol and is finally even forced to give him his bed because the bench is too hard and uncomfortable. Pampin would love to work but cannot find anything. When Ryumin finds him a job as a watchman, Pampin, however, refuses and feels offended – he, an intellectual, and such a job instead of passing on great ideas and knowledge! Nikolai Petrovich comes up with the offer to teach at a school. The guest rejects this, too – he surely is not interested in teaching idiots. He does not want to work in a newspaper office, either, and does not write a single line in three weeks. The painter is not at home and his friend Dascha comes to visit him. She compassionately asks the suicide how he feels. The man tries to embrace her. At that moment, the painter returns home, the situation makes him angry and he finally throws the unscrupulous guest out. Dáša cannot understand such rudeness and she herself offers asylum to the desperate fellow. The “suicide” leaves with the young woman without any thanks and even hastily returns for an unfinished bottle of vodka from by the door.
sebevrah Pampin
malíř Nikolaj Petrovič Rjumin
Dáša, Nikolajova přítelkyně
Arkadij Timofejevič Averčenko (Kámen na krku /Kameň na šeje/ – povídka)
Jaroslav Balík (režie), Jiří Macháně (kamera), Alois Fišárek (střih), Hana Bezrouková
M. Dušková, H. Tothová, R. Werner
Sebevrah
Sebevrah
The Suicide
film
featurenon-theatrical distributionstudent film
étude
Czechoslovakia
1985
1985
short film
14 min
393 meters
35mm
1:1,37
black & white
sound
mono
Czech
Czech
without subtitles
Czech