The personality of early twentieth century writer Karel Čapek had for a very long time not received the reflection it deserved in Czechoslovak film. Just prior to the 1989 “Velvet Revolution”, the difficult task of encapsulating the writer’s life was taken on by director Štěpán Skalský. Although his motion picture, conceived as the fragmentary memories of a sick writer, did not get its premiere until 1990, Člověk proti zkáze (Man versus Ruin, 1989) is a good example of a work that mirrored the relaxation of censorship at the start of the 1990s, demonstrated by the fact that the character of Čapek’s close friend – President Masaryk – appears in the story. The character of Masaryk had otherwise been anxiously avoided by domestic cinematography for whole decades. The focal role of the film is played by Josef Abrhám, who performs the character of Čapek with a humane credibility as well as exceptional professional application.
After the German occupation of spring 1939, the Gestapo arrive at a villa in the Prague neighbourhood of Vinohrady to arrest Karel Čapek. The famous writer and pacifist, however, had died the previous Christmas. His widow Olga recollects their common experiences as well as the tragic moments. Čapek caught a heavy cold during the autumn flood at Str, the couple's countryside residence. His feverish dreams take him to back to his childhood spent with his siblings Josef and Helena and to the moment when he first saw a kingfisher. The Nazi torch march in Munich looks like a warning to him. After his return, he tells his experiences to his brother Josef and the colleagues Langer, Poláček and Bass in the Lidové noviny editorial office. The Čapek brothers regularly discuss with friends and president Masaryk in the garden of their Prague villa. Čapek writes the anti-war drama The White Disease. The play is immensely successful. Čapek's bygone love Věra is getting married and Čapek decides to marry the actress Olga although his siblings disagree. President Masaryk dies and Čapek ties the mourning crape on the birch tree in his garden. During their sojourn to France, Olga - who also has writing ambitions - comes up with the idea of a theatre play about a mother who lost her sons in war. The audience welcomes the ensuing drama Mother warmly, but Čapek begins to be pursued by adversaries, mainly in the form of vulgar anonymous letters. During the mobilisation, the writer donates his car to the military. It is the time of the Munich Pact. Josef paints anti-dictatorship paintings, Karel refuses to emigrate. The colleagues-editors guard him discreetly and Jan Drda thus saves him from the Fascist attack. At Str by the water, Čapek waits in vain to see the kingfisher, which is said to bring luck. He faints at the staircase, severely ill. The doctors claim he is suffering from lung inflammation. Čapek talks to the figures from his theatre plays in his fever. Surrounded by his closest relatives, he dies on December 25, 1938 at the age of only forty-eight. A single footmark is left in the snow, and the titles of Čapek's works pass across it.
spisovatel Karel Čapek
herečka Olga Scheinpflugová
malíř Josef Čapek
Helena Čapková, Karlova a Josefova sestra
Věra Hrůzová
hospodyně Růžena
Erika, dcera spisovatele Thomase Manna
prezident Tomáš Garrigue Masaryk
spisovatel Jan Drda
britský spisovatel Herbert G. Wells
spisovatel Vladislav Vančura
spisovatel František Langer
profesor Charvát
herečka Leopolda Dostalová jako Matka v dramatu Matka
účetní ředitel v dramatu Bílá nemoc
MUDr. Galén v dramatu Bílá nemoc
manželka účetního ředitele v dramatu Bílá nemoc
Alquist v dramatu R. U. R.
Kornel v dramatu Matka
Petr v dramatu Matka
herečka v dramatu Matka
Toni v dramatu Matka
Jiří v dramatu Matka/Syn v dramatu Bílá nemoc
Ondřej v dramatu Matka
baron Krüg v dramatu Bílá nemoc
malomocný v dramatu Bílá nemoc
malomocný v dramatu Bílá nemoc
Maršál v dramatu Bílá nemoc
Sigelius v dramatu Bílá nemoc
pobočník v dramatu Bílá nemoc
nadporučík Kubíček
Václav Motl
spisovatel Karel Poláček
novinář Eduard Bass
režisér Karel Dostal
spisovatel Edmond Konrád
dramaturg
malíř František Kupka
rektor
tajemník Sepke
fanatická Němka
ctitelka z Loun
student práv Fišer
profesor Pelnář
muž u tramvaje
francouzský spisovatel Jules Romains
Petřík
ředitel
človíček
taxikář
redakční sluha Ondrák
Božena
novinář Burnay
kuchař
Voice by Ladislav Županič
MUDr. Karel Steinbach
intendant
plukovník
Borovička
pedel
londýnský novinář Esquire z Times
divadelní zřízenec
velitel civilní obrany Synek
Klíma
Karel Čapek jako dítě
Josef Čapek jako dítě
Helena Čapková jako dítě
otec
dělník/záložník
záložník
záložník
příslušník SA
příslušník SA
příslušník SA
příslušník SA
příslušník SA
příslušník SA
příslušník SA
příslušník gestapa
příslušník gestapa
příslušník gestapa
sborista
sborista
útočník
útočník
muž
muž
muž
hlas anonyma v telefonu – doktor Volk
Lada Vacková, Magdalena Mikešová
Michal Erazim, Jiří Matějka, Eva Slívová, Pavel Šťastný
Petr Čermák, Zdeňka Králíková
MUDr. Martin Bojar, CSc., František Michálek (jezdectví), MUDr. Vlastimil Kusák, Karel Richter, Zbyšek Svoboda, Jaroslav Róna
Daniela Humlová (klapka), Miloš Schmiedberger (fotograf), Jaromír Pleskot (režie divadelních scén), K. Hadravová, M. Žbánková, Veteran car klub Praha
Song Composer Etienne Nicolas Méhul
Writer of Lyrics Horst Wessel
Singer sbor
Song Composer Karel Vacek
Writer of Lyrics Karel Vacek
Singer sbor
Člověk proti zkáze
Člověk proti zkáze
Man versus Ruin
film
featuretheatrical distribution
biography
Czechoslovakia
1989
1989
start of filming 21 January 1989
end of filming 27 July 1989
the first film copy approved 6 October 1989
projection approval 10 October 1989
withdrawal from distribution 1 July 1993
gala premiere 9 January 1990 (kino Lucerna, Praha)
premiere 1 February 1990 /suitable for youths/
1. tvůrčí skupina, Jiří Blažek (vedoucí 1. tvůrčí skupiny)
feature film
89 min
2 591 meters
16mm, 35mm
1:1,37
colour
sound
mono
Czech
Czech
without subtitles
Czech