In Václav Táborský's film The Inn, the camera moves smoothly and subtly between a bar, wedding table, and a dance floor of several Czech pubs. While we watch cheerful and melancholic stages of drunkenness in the faces of their guests, we can wonder what alcohol and the pub environment meant or still means for social life in the Czech lands.
A funeral car pulls up in front of a restaurant and a young man and his baby in a stroller approach. People gather in the pub for various reasons. An innkeeper is tapping beers and pouring wine and hard liquor, guests are singing. Scenes filmed with a hidden camera are linked by open associations and take us to several Czech pubs where we witness typical pub situations. Children sent from home to buy beer come to the pub, somewhere people sing along with the sound of accordion, elsewhere they sit at a wedding table, dance modern dances, or play cards. Noise and clouds of cigarette smoke are omnipresent. The guests are getting more and more tired, some are sleeping right at the tables, the pubs are becoming empty. Finally, the young man picks up his baby in the stroller outside the restaurant and leaves.
archivní
Joseph Haydn (Symfonie č. 27 G dur)
Song Composer lidová píseň
Singer sbor
Song Composer lidová píseň
Singer sbor
Song Composer lidová píseň
Singer sbor
Hostinec
Hostinec
The Inn
film
documentarytheatrical distribution
feuilleton
Czechoslovakia
1963
1963
projection approval 22 December 1963
premiere 1964 /suitable for youths/
no caption
short film
10 min
265 meters
16mm, 35mm
1:1,37
black & white
sound
mono
Czech
Czech
without subtitles
Czech