Director Zdeněk Sirový made his most important contribution to the Czechoslovak New Wave with the film Smuteční slavnost (Funeral Ceremonies, 1969). As a result, one of his earlier achievements, the intimate psychological drama Finský nůž (The Finnish Knife, 1965), has been somewhat overlooked. The main protagonists are two young men who have become convinced that they have killed someone in a fight that they unfortunately might have provoked. Twenty-year-old Tonda (Karel Meister) and seventeen-year-old Honza (Jaromír Hanzlík) flee from justice even before their guilt for the death has been determined. They make it to Poland but the tension between them mounts and after their return home they part ways... Besides the spectacular chiaroscuro in the camera work of Jan Čuřík, this intimate film offers a convincing testimony of a period wherein young people leading externally untroubled, purposeful lives were typically beset by deep internal fears and uncertainties about their place in life.
Twenty-year old Tonda and seventeen-year old Honza follow a man and girl leaving a café and then spy on them and with bated breath watch their love-making in the park. The man notices the boys and, furious, gets into a fight with them. In the end, he pulls out a sharp Finnish knife. Honza gets hold of the knife and stabs the man. The two boys think they have killed the man and decide to flee justice by escaping across the border. Prague becomes their first destination, then Poland, and after that... Honza dislike the runaway life and misses home. He contemplates confessing; after all, he is still underage and the punishment would not necessarily be too severe. Tonda has already been up for trial once and refuses to go back. He does everything to make sure that Honza does not betray him, but Honza slips away anyway. Tonda goes looking for him in their home town. When he arrives, he finds out that the man they thought dead is alive. The two boys are relieved but Honza leaves Tonda anyway - they no longer have anything in common.
Tonda
Honza
muž v saku
dívka
spisovatel
tančící mladík
mladík v kavárně
mladík v kavárně
mladík v kavárně
tančící dívka
muž s aktovkou
prodavač
Oldřich Halaza, Jaroslav Ciboch, František Zajíček
Adolf Nacházel, Bohumír Brunclík (zvukové efekty)
Olga Mimrová, Josef Hudlička
Jitka Hůlková (klapka), Karel Ludvík (fotograf)
FISYO (Music Conducted by Štěpán Koníček), Studiová skupina Karla Duby
Song Composer Wiliam Bukový
Writer of Lyrics Jiří Sobotka
Singer Eva Pilarová
Finský nůž
Finský nůž
The Finnish Knife
film
featuretheatrical distribution
psychological
Czechoslovakia
1965
1964—1965
literary Screenplay approved 22 June 1964
technical Screenplay approved 7 September 1964
start of filming 1 October 1964
end of filming 9 February 1965
projection approval 31 March 1965
withdrawal from distribution 30 June 1971
withdrawal from distribution 31 December 1992
premiere 16 July 1965 /unsuitable for youths/ (kino Paříž /2 týdny/, Praha)
premiere 23 July 1965 /unsuitable for youths/ (celostátní)
renewed premiere 1 September 1990 /recommended for 12 and over/
Ústřední půjčovna filmů (původní 1965 a obnovená 1990)
Tvůrčí skupina Šebor – Bor, Vladimír Bor (vedoucí dramaturg tvůrčí skupiny), Jiří Šebor (vedoucí výroby tvůrčí skupiny)
feature film
72 min
2 063 meters
16mm, 35mm
1:1,37
black & white
sound
mono
Czech
Czech
without subtitles
Czech