Pavel Juráček worked on many Czech New Wave movies as a screenwriter before he became a director. He completed only two features, one of which was banned for more than 20 years. Jurácek was born on August 2, 1935 in Příbram. After working for a local newspaper, in 1957 he enrolled at the Prague film school FAMU, where he studied dramaturgy. As a screenwriter he collaborated, among others, on the sci-fi Voyage to the End of the Universe (1963), Věra Chytilová’s Dadaist satire Daisies (1966) and the post-apocalyptic allegory The End of August at the hotel Ozone (1966). His first film as director was the medium-length Joseph Kilian (1963). That Kafkaesque portrait of everyday oddities, based on the hero's encounters with bureaucracy, was co-directed by his friend Jan Schmidt. During his military service, Juráček made his second film, Every Young Man (1965), linking together two fitting stories about army life. Juráček's most ambitious work, A Case for the Young Hangman (1969), was based on the third book of Gulliver's Travels. In this eerie, dark and brainy satire, Juráček captured the absurdity of life under a totalitarian régime with technical brilliance and blistering humour. Shortly after the Soviet occupation of 1968, Hangman was shelved and Juráček was never allowed to make another film because of his refusal to compromise with the government. He died of cancer in May 1989, only months before the fall of the Communist regime that had prematurely terminated his career. -mrš-
1969
Writer of LyricsDirectorShooting ScriptScreenplayCreative Group
vedoucí dramaturg tvůrčí skupiny
Exhibition: Přehlídka maďarských filmů
1994
Praha / Czech Republic
Event: Peněžitá odměna za film v rámci hodnocení produkce Filmového studia Barrandov v roce 1967
1968
Praha / Czechoslovakia
Kino-Automat – Man and His House
Event: Cena Víta Nejedlého 1966
1966
Praha / Czechoslovakia
Every Young Man
The screening of Ikarie XB 1 as part of the Cannes Classic presentation was not the first opportunity foreign audiences ...