With his “problematic” dramatic debut in 1984, Džusový roman (Juicy Novel), documentary filmmaker Fero Fenič took his place in the ranks of provocateurs that were criticising the status quo. The release of that drama about a young worker was delayed by four years. But Fenič was already stubbornly working towards getting his next feature film – namely this metaphorical drama about the devastating moral decay of a high-ranking functionary – into the cinemas. The protagonist of the motion picture’s expressively conceived narrative is Zdeněk Pešan (Polish actor Jan Tesarz), a man who is rightly afraid of losing his until now untouchable position. On the way to his aunt’s funeral, he finds himself in a company Tatra 613 vehicle accompanied by his secretary and mistress Olga (Ewa Žukowská) and the border guard Ondřej Zeman (Jiří Bábek), who has been laid off for shooting a trespasser on a border crossing and must now content himself with chauffeuring an official. As the large luxury car travels along the road back to Pešan’s native town, the functionary experiences the awakening of memories of his youthful nation-building years. His original ideals, however, have been devastated and his meeting with “the compatriots” of his town is far from being as ideal as he had anticipated. Moreover, he discovers that it is not his aunt, but his unwanted son, who has been killed. The driver Ondřej is mixed up in the murder... Fenič’s unusual film – an apparent indictment of the decaying socialist regime – only made it through the approval process thanks to the atmosphere of coming political change (although Zvláštní bytosti [Strange Beings] came after Soviet “perestroika films”, such as Monanieba [Repentance, 1987], a comedy drama by director Tengiz Abuladze). As a breakthrough film, Zvláštní bytosti, which was not seen by the public until after the 1989 Velvet Revolution, does not only operate with transparent symbols and metaphors. It also uses socialist era icons, starting with the wildly popular singer Karel Gott, and ranging across the progressive singer-songwriter Jaromír Nohavica, the “Prague Spring” singer Marta Kubišová (film audiences got to hear her banned voice for the first time in 20 years) and the “Plastics” (or the Plastic People of the Universe, transformed into the band Midnight for the film). The viewer can also not fail to notice acclaimed Czech film director Jiří Menzel who plays “Alexander Slováček” (representing pre-Warsaw Pact invasion Czechoslovak prime minister Alexander Dubček) in this motion picture.
A high functionary named Pešan hysterically begs for an intercession from his superior, sensing that he is losing his position. A soldier of the frontier guard, Ondřej Zeman, arrives in Prague for his first short leave. He is expected by his girlfriend Jana at the railway station and the two look forward to spending some private moments together. The functionary realizes that he should have attended his aunt's funeral, but the driver has already left home. Pešan's rather vulgar assistant and lover, named Olga, readily offers the place behind the wheel of the service Tatra 613 car to Ondřej Zeman who once asked her for a position in the office as soon as he returns from the military service. Ondřej only hesitantly agrees and parts with Jana. The gatekeeper says good-bye to Pešan servilely but Pešan knows that the man anonymously reports on him, pointing out his incompetence and love affair in the letters. The car is halted by a police guard but as soon as the policemen recognize the passenger, they immediately let the car go. When the drive is interrupted the next time, Pešan talks to the women cooperative members who, however, find his clichés ridiculous. Ondřej notices an odd man who he had already spotted at a railway station. The functionary in the car recalls his organizational and creative enthusiasm in his youth. The procession entering the cemetery is not the right one – it seems that they have arrived late. Pešan decides to visit his cousin and apologize for his absence at the funeral. They give a lift to two hitchhikers – a punk couple. The two exchange several invectives with Pešan and the man throws them out. The Tatra car arrives at the functionary's native townlet. In the local pub, Pešan runs into Cyril who he once pulled up and employed because he was his compatriot. His subordinate shows that he already knows about his boss's loss of influence. A concert of the underground band Midnight is to be held in the pub's hall and the shocked Pešan wants to ban the concert. Ondřej finds a knife stabbed in the car's tire. The local officials invite the native and Olga to a shelter where they get drunk, recall the past and eventually have a fight. The car is repaired and the three can finally leave. Olga secretly tells Ondřej that Pešan took her in after her husband's 1968 emigration, at the same time getting rid off his pregnant lover and assistant Milka who he married for his cousin. Ondra repeatedly, but vainly tries to reach Jana on the public phone. The car arrives at an abandoned house. The mourning cousin and his wife Milka take Pešan to the coffin. It turns out that this was a ridiculous misunderstanding – the aunt died long ago and the dead person is Pešan's unwanted son. Ondřej was awarded the leave for shooting a young borderline violator dead. The drunk Pešan makes a scene at the coffin and Ondřej recognizes the shot young man from his clothing. He runs out. The odd man passes by, looking for a levelling point, and Ondřej joins him.
Voice by Antonín Molčík
funkcionář Zdeněk Pešan
Voice by Jana Březinová
sekretářka Olga Kolářová, Pešanova milenka
pohraničník Ondřej Zeman
mladý funkcionář Cyril Vodička
Evžen
Ruda
Josef
Martin
muž v krytu
bratranec
Milka
náčelník VB Béďa
děda nástěnkář
hostinský Fiala
výčepní Jaromír
stopař
stopařka
Alexander Slováček
kluk v zelené bundě
učitelka
podivný muž
velitel holubářů
holubář
holubář
příslušník místní VB
příslušník místní VB
mladý příslušník VB
nadstrážmistr VB
Mařenka
Jana, Ondřejova dívka
místní lékař
povozník
myslivec
důchodkyně
žena na poli
žena na poli
oni sami
on sám, zpěvák
vrátný
myslivec Bohouš
příslušník SSM
příslušník SSM
Monika Maratová, Jana Nečasová
Jaromír Franta, Michal Macháček
Ladislav Balous, Jiří Dvořák, Karel Kočí
Bohumil Sobotka, Libuše Barlová, Renata Pacovská, Lucie Šedivá
Helena Landovská, Miroslava Smolová, Tomáš Baloun
Karel Vávra, Vlastimil Pokorný, Stanislav Šafr
Milada Adámková (klapka), Zdeněk Vávra (fotograf), Ivana Lupačová
Bedřich Smetana (Má vlast /Vltava/)
FISYO (Music Conducted by Mario Klemens)
Song Composer Jiří Bulis
Writer of Lyrics bible
Singer Marta Kubišová
Song Composer Jaromír Nohavica
Writer of Lyrics Jaromír Nohavica
Singer Jaromír Nohavica
Song Composer Milan Hlavsa
Writer of Lyrics Zbyněk Fišer
Singer Půlnoc
Song Composer Jaromír Klempíř
Writer of Lyrics Jiří Štaidl
Singer Karel Gottsbor
Song Composer Zdeněk Petr
Writer of Lyrics Vladimír Dvořák
Singer Jan Tesarz [dab]Antonín Molčík
Song Composer Jiří Šlitr
Writer of Lyrics Jiří Suchý
Singer Pavlína Filipovská
Song Composer Josef Leopold Zvonař
Song Composer lidová píseň
Song Composer Pierre Degeyter
Song Composer Karel Hašler
Writer of Lyrics Karel Hašler
Singer Ewa Żukowska [dab]Jana BřezinováJan Tesarz [dab]Antonín Molčík
Song Composer František Kmoch
Singer mužský sbor
Zvláštní bytosti
Zvláštní bytosti
Strange Beings
film
featuretheatrical distribution
allegory
Czechoslovakia
1990
1989
withdrawal from distribution 31 December 1992
premiere 1 June 1990 /unsuitable for youths/
1. tvůrčí skupina, Jiří Blažek (vedoucí 1. tvůrčí skupiny), Jiří Ulrich ml. (vedoucí produkce 1. tvůrčí skupiny)
feature film
84 min
2 400 meters
16mm, 35mm
1:1,37
colour
sound
mono
Czech
Czech
without subtitles
Czech